{"id":1407,"date":"2017-07-20T15:32:30","date_gmt":"2017-07-20T13:32:30","guid":{"rendered":"http:\/\/www.sonarscope.hr\/shop\/product\/rme-fireface-ufx\/"},"modified":"2023-07-16T19:40:46","modified_gmt":"2023-07-16T17:40:46","slug":"rme-fireface-ufx","status":"publish","type":"product","link":"https:\/\/www.sonarscope.hr\/shop\/proizvod\/rme-fireface-ufx\/","title":{"rendered":"RME Fireface UFX+"},"content":{"rendered":"<p>The Fireface UFX+ becomes the center of any multitrack studio because it is able to handle up to 94 channels I\/O with ease. With unprecedented flexibility, compatibility, the inclusion of DURec (Direct USB Recording) and RME\u2019s famous low latency hardware and driver designs, the Fireface UFX+ raises the bar to new heights.<\/p>\n<p>Packed with features not found on its older sibling, including MADI I\/O (188 channels of I\/O, 128 channels more than the Fireface UFX), a more powerful DSP, USB 3.0, Thunderbolt\u2122 technology, and a new optional remote control firmly places the RME Fireface UFX+ as the new reference in multitrack recording, mixing and monitoring.<\/p>\n<h1>You name it, you connect it<\/h1>\n<p>Its flexibility in connectivity and expansion is unrivalled \u2013 Analog, ADAT, MADI, AES, SPDIF. USB 2, USB 3 and Thunderbolt technology are standard on the Fireface UFX+. The UFX+ has an impressive channel count: 12 analog + 16 ADAT + 2 AES + 64 MADI = 94 channels input plus output = 188 channels in total. Thunderbolt technology gives the Fireface UFX+ real PCI Express audio \u00adperformance under Mac and Windows, with lowest latency, lowest system overhead and lowest CPU load. The Fireface UFX+ is fully Thunderbolt technology compatible under Windows, including hot-plugging.<\/p>\n<p>All new AD\/DA converters, optimized analog I\/O circuits, as well as improved SNR and THD values guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range serves even the most critical recording situation and source trouble-free.<\/p>\n<p>New low impedance Hi-Power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power as well as volume on any phones, high or low impedance.<\/p>\n<p><img decoding=\"async\" style=\"width: 720px; height: 300px;\" src=\"http:\/\/www.rme-audio.de\/images\/products\/ufx-plus-connection.jpg\" alt=\"\" \/><\/p>\n<h1>Comprehensive MADI Connectivity<\/h1>\n<p>The Fireface UFX+ opens the doors to a host of RME and 3rd party digital and analog I\/O solutions. Expanding your analog channel count, the ability to route\/mix within the digital domain through numerous sources presents many flexible options. Multiple external MADI devices can also be connected in series.<\/p>\n<p>To further enhance MADI flexibility, the Fireface UFX+ boasts some typical RME-style features. For example in USB 2 mode, which is limited to 30 channels I\/O (12 analog plus 16 ADAT plus AES), the MADI I\/O is still available via RME\u2019s integrated hardware mixer TotalMix FX. Word Clock I\/O (BNC) can be switched to MADI I\/O (coaxial), and a special split mode even supports the use of both MADI I\/Os simultaneously, with 32 channel each on optical and coaxial.<\/p>\n<p>&nbsp;<\/p>\n<h1>Improved DURec (Direct USB Recording)<\/h1>\n<p>DURec, which is available on the front of the Fireface UFX+, now offers second generation hardware with improved USB functionality and compatibility, providing greater reliability even with slower or multi-partitioned USB thumb drives.<\/p>\n<p>The maximum number of recordable channels has been raised to 76, meaning all 12 analog inputs plus 64 MADI channels can be recorded simultaneously. An internal Realtime Clock (RTC) delivers time-stamped files, and playback now includes several advanced player functions previously unavailable.<\/p>\n<p>&nbsp;<\/p>\n<h1>RC USB Remote Control &#8211; Plug\u2019n Play Plus<\/h1>\n<p>The ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.<\/p>\n<p>The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX+. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX+.<\/p>\n<p>&nbsp;<\/p>\n<h1>TotalMix FX<\/h1>\n<p>Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind.<\/p>\n<p>With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete.<\/p>\n<p>TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.<\/p>\n<p>&nbsp;<\/p>\n<h1>TotalMix FX for iPad\u2122 App<\/h1>\n<p>TotalMix FX for iPad\u2122 adds full control over hardware mixer and DSP effects for Fireface UFX+, UFX, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad\u2122<\/p>\n<p>&nbsp;<\/p>\n<h1>Technical Specifications<\/h1>\n<h1><strong>Analog<\/strong><\/h1>\n<p><strong>AD, Line In 1-8, rear\u00a0<\/strong><br \/>\n\u2022 Resolution AD: 24 bit<br \/>\n\u2022 Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA<br \/>\n\u2022 Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz \u2013 20.8 kHz<br \/>\n\u2022 Frequency response @ 96 kHz, -0.5 dB: 3 Hz \u2013 45.8 kHz<br \/>\n\u2022 Frequency response @ 192 kHz, -1 dB: 2 Hz \u2013 92 kHz<br \/>\n\u2022 THD: &lt; -110 dB, &lt; 0.00032 %<br \/>\n\u2022 THD+N: &lt; -104 dB, &lt; 0.00063 %<br \/>\n\u2022 Channel separation: &gt; 110 dB<br \/>\n\u2022 Maximum input level: +19 dBu<br \/>\n\u2022 Input: 6.3 mm TRS jack, electronically balanced<br \/>\n\u2022 Input impedance: 8 kOhm unbalanced, 12 kOhm balanced<br \/>\n\u2022 Input sensitivity switchable to Lo Gain, +4 dBu<br \/>\n\u2022 Input level for 0 dBFS @ Lo Gain: +19 dBu<br \/>\n\u2022 Input level for 0 dBFS @ +4 dBu: +13 dBu<br \/>\n\u2022 Variable gain: 0 to +12 dB<br \/>\n\u2022 Minimum level for 0 dBFS: +1 dBu, -1.2 dBV<\/p>\n<p><strong>Microphone In 9-12, front\u00a0<\/strong><br \/>\nAs AD, but:<br \/>\n\u2022 Input: XLR, electronically balanced<br \/>\n\u2022 Input impedance: 3.4 kOhm<br \/>\n\u2022 Signal to Noise ratio (SNR): 115 dB RMS unweighted, 118 dBA<br \/>\n\u2022 Gain range: 75 dB<br \/>\n\u2022 Maximum input level, Gain 0 dB: +18 dBu<br \/>\n\u2022 Maximum input level, Gain 75 dB: -57 dBu<br \/>\n\u2022 CLIP LED: 0 dBFS \u2022 SIG LED: -60 dBFS<\/p>\n<p><strong>Instrument In 9-12, front\u00a0<\/strong><br \/>\nAs AD, but:<br \/>\n\u2022 Input: 6.3 mm TS jack, unbalanced<br \/>\n\u2022 Input impedance: 1 MOhm<br \/>\n\u2022 Signal to Noise ratio (SNR): 114 dB RMS unweighted, 118 dBA<br \/>\n\u2022 Gain range: 42 dB<br \/>\n\u2022 Maximum input level, Gain 8 dB: +21 dBu<br \/>\n\u2022 Maximum input level, Gain 50 dB: -21 dBu<\/p>\n<p><strong>DA, Line Out 3-8, rear<\/strong><br \/>\n\u2022 Resolution: 24 bit<br \/>\n\u2022 Dynamic range (DR): 115 dB RMS unweighted, 118 dBA<br \/>\n\u2022 Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz \u2013 20.8 kHz<br \/>\n\u2022 Frequency response @ 96 kHz, -0.5 dB: 5 Hz \u2013 45 kHz<br \/>\n\u2022 Frequency response @ 192 kHz, -1 dB: 5 Hz &#8211; 89 kHz<br \/>\n\u2022 THD: &lt; -110 dB, &lt; 0.00032 %<br \/>\n\u2022 THD+N: &lt; -104 dB, &lt; 0.00063 %<br \/>\n\u2022 Channel separation: &gt; 110 dB<br \/>\n\u2022 Maximum output level: +19 dBu<br \/>\n\u2022 Output: 6.3 mm TRS jack, servo-balanced<br \/>\n\u2022 Output impedance: 75 Ohm unbalanced, 150 Ohm balanced<br \/>\n\u2022 Output level switchable Hi Gain, +4 dBu, -10 dBV<br \/>\n\u2022 Output level at 0 dBFS @ Hi Gain: +19 dBu<br \/>\n\u2022 Output level at 0 dBFS @ +4 dBu: +13 dBu<br \/>\n\u2022 Output level at 0 dBFS @ -10 dBV: +2 dBV<\/p>\n<p><strong>DA &#8211; Stereo Monitor Output XLR (1-2)\u00a0<\/strong><br \/>\nAs DA, but:<br \/>\n\u2022 Output: XLR, balanced<br \/>\n\u2022 Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV<br \/>\n\u2022 Output level at 0 dBFS @ 24 dBu: +24 dBu<br \/>\n\u2022 Output level at 0 dBFS @ Hi Gain: +19 dBu<br \/>\n\u2022 Output level at 0 dBFS @ +4 dBu: +13 dBu<br \/>\n\u2022 Output level at 0 dBFS @ -10 dBV: +2 dBV<\/p>\n<p><strong>DA &#8211; Stereo Monitor Output Phones (9-12)<\/strong><br \/>\nAs DA, but:<br \/>\n\u2022 Output: 2 x 6.3 mm TRS stereo jack, unbalanced<br \/>\n\u2022 Maximum output level at 0 dBFS, High: +19 dBu<br \/>\n\u2022 Maximum output level at 0 dBFS, Low: +2 dBV<br \/>\n\u2022 Output impedance: 2 Ohm<br \/>\n\u2022 Max power per channel @ 32 Ohm load, 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu)<\/p>\n<p>&nbsp;<\/p>\n<h1>MIDI<\/h1>\n<p>\u2022 2 x MIDI I\/O via 5-pin DIN jacks<br \/>\n\u2022 Galvanically isolated by optocoupled input<br \/>\n\u2022 Hi-speed mode: Jitter and response time typically below 1 ms<br \/>\n\u2022 Separate 128 byte FIFOs for input and output<\/p>\n<p>\u2022 1 x MIDI I\/O via MADI<br \/>\n\u2022 Invisible transmission via User bit of channel 56 (up to 48 kHz)<br \/>\n\u2022 Invisible transmission via User bit of channel 28 (up to 96 kHz)<\/p>\n<p>&nbsp;<\/p>\n<h1>Digital<\/h1>\n<p>\u2022 Clocks: Internal, ADAT, AES, MADI, word clock<br \/>\n\u2022 Low Jitter Design: &lt; 1 ns in PLL mode, all inputs<br \/>\n\u2022 Internal clock: 800 ps Jitter, Random Spread Spectrum<br \/>\n\u2022 Jitter suppression of external clocks: &gt; 30 dB (2.4 kHz)<br \/>\n\u2022 Effective clock jitter influence on AD and DA conversion: near zero<br \/>\n\u2022 PLL ensures zero dropout, even at more than 100 ns jitter<br \/>\n\u2022 Digital Bitclock PLL for trouble-free varispeed ADAT operation<br \/>\n\u2022 Supported sample rates: 28 kHz up to 200 kHz<\/p>\n<p>&nbsp;<\/p>\n<h1>Digital Inputs<\/h1>\n<p><strong>MADI<\/strong><br \/>\n\u2022 Optical via FDDI duplex SC connector<br \/>\n\u2022 62.5\/125 and 50\/125 compatible<br \/>\n\u2022 Coaxial via BNC (Word Clock input), 75 Ohm<br \/>\n\u2022 High-sensitivity input stage (&lt; 0.2 Vpp) \u2022 Accepts 56 channel and 64 channel mode, plus 96k Frame<br \/>\n\u2022 Standard: up to 64 channels 24 bit 48 kHz<br \/>\n\u2022 S\/MUX: up to 32 channels 24 bit 96 kHz<br \/>\n\u2022 S\/MUX4: up to 16 channels 24 bit 192 kHz<br \/>\n\u2022 Lock range: 25 kHz \u2013 54 kHz<br \/>\n\u2022 Jitter when synced to input signal: &lt; 1 ns<\/p>\n<p><strong>AES\/EBU<\/strong><br \/>\n\u2022 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992<br \/>\n\u2022 High-sensitivity input stage (&lt; 0.3 Vpp) \u2022 SPDIF compatible (IEC 60958)<br \/>\n\u2022 Accepts Consumer and Professional format<br \/>\n\u2022 Lock range: 27 kHz \u2013 200 kHz<br \/>\n\u2022 Jitter when synced to input signal: &lt; 1 ns<br \/>\n\u2022 Jitter suppression: &gt; 30 dB (2.4 kHz)<\/p>\n<p><strong>ADAT Optical<\/strong><br \/>\n\u2022 2 x TOSLINK, format according to Alesis specification<br \/>\n\u2022 Standard: 2 x 8 channels 24 bit, up to 48 kHz<br \/>\n\u2022 Double Speed (S\/MUX): 2 x 4 channels 24 bit 96 kHz<br \/>\n\u2022 Quad Speed (S\/MUX4): 2 x 2 channels 24 bit 192 kHz<br \/>\n\u2022 Bitclock PLL ensures perfect synchronisation even in varispeed operation<br \/>\n\u2022 Lock range: 31.5 kHz \u2013 50 kHz \u2022 Jitter when synced to input signal: &lt; 1<\/p>\n<p><strong>SPDIF optical (ADAT2)<\/strong><br \/>\n\u2022 1 x optical, according to IEC 60958<br \/>\n\u2022 Accepts Consumer and Professional format<br \/>\n\u2022 Lock range: 27 kHz \u2013 200 kHz<br \/>\n\u2022 Jitter when synced to input signal: &lt; 1 ns<br \/>\n\u2022 Jitter suppression: &gt; 30 dB (2.4 kHz)<\/p>\n<p><strong>Word Clock<\/strong><br \/>\n\u2022 BNC<br \/>\n\u2022 Internal termination 75 Ohm switchable<br \/>\n\u2022 Automatic Double\/Quad Speed detection and internal conversion to Single Speed<br \/>\n\u2022 SteadyClock guarantees super low jitter synchronization even in varispeed operation<br \/>\n\u2022 Not affected by DC-offsets within the network<br \/>\n\u2022 Signal Adaptation Circuit: signal refresh through auto-center and hysteresis<br \/>\n\u2022 Overvoltage protection<br \/>\n\u2022 Level range: 1.0 Vpp \u2013 5.6 Vpp<br \/>\n\u2022 Lock Range: 27 kHz \u2013 200 kHz<br \/>\n\u2022 Jitter when synced to input signal: &lt; 1 ns<br \/>\n\u2022 Jitter suppression: &gt; 30 dB (2.4 kHz)<\/p>\n<p>&nbsp;<\/p>\n<h1>Digital Outputs<\/h1>\n<p><strong>MADI<\/strong><br \/>\n\u2022 Optical via FDDI duplex SC connector<br \/>\n\u2022 62.5\/125 and 50\/125 compatible<br \/>\n\u2022 Cable length: up to 2000 m<br \/>\n\u2022 Coaxial via BNC, 75 Ohm<br \/>\n\u2022 Output voltage 600 mVpp<br \/>\n\u2022 Cable length: up to 100 m<br \/>\n\u2022 Generates 56 channel and 64 channel mode, plus 96k Frame<br \/>\n\u2022 Standard: up to 64 channels 24 bit 48 kHz<br \/>\n\u2022 S\/MUX \/ 96k Frame: up to 32 channels 24 bit 96 kHz<br \/>\n\u2022 S\/MUX4: up to 16 channels 24 bit 192 kHz<\/p>\n<p><strong>AES\/EBU<\/strong><br \/>\n\u2022 XLR, transformer-balanced, galvanically isolated, according to AES3-1992<br \/>\n\u2022 Output level Professional 4.5 Vpp, Consumer 2.6 Vpp<br \/>\n\u2022 Format Professional according to AES3-1992 Amendment 4<br \/>\n\u2022 Format Consumer (SPDIF) according to IEC 60958<br \/>\n\u2022 Single Wire mode, sample rate 28 kHz up to 200 kHz<\/p>\n<p><strong>ADAT<\/strong><br \/>\n\u2022 2 x TOSLINK<br \/>\n\u2022 Standard: 2 x 8 channels 24 bit, up to 48 kHz<br \/>\n\u2022 Double Speed (S\/MUX): 2 x 4 channels 24 bit 96 kHz<br \/>\n\u2022 Quad Speed (S\/MUX4): 2 x 2 channels 24 bit 192 kHz<\/p>\n<p><strong>SPDIF optical (ADAT2)<\/strong><br \/>\n\u2022 Format Consumer (SPDIF) according to IEC 60958<br \/>\n\u2022 Sample rate 28 kHz up to 200 kHz<\/p>\n<p><strong>Word Clock<\/strong><br \/>\n\u2022 BNC<br \/>\n\u2022 Max. output voltage: 5 Vpp<br \/>\n\u2022 Output voltage @ 75 Ohm termination: 4.0 Vpp<br \/>\n\u2022 Output impedance: 10 Ohm<br \/>\n\u2022 Frequency range: 27 kHz \u2013 200 kHz<\/p>\n<p>&nbsp;<\/p>\n<h1>General<\/h1>\n<p>\u2022 Power supply: Internal switching PSU, 100 &#8211; 240 V AC, 36 Watts<br \/>\n\u2022 Idle power consumption: 19 Watts<br \/>\n\u2022 Typical power consumption: 22-25 Watts<br \/>\n\u2022 Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19&#8243; x 1.73&#8243; x 8.5&#8243;)<br \/>\n\u2022 Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3&#8243; x 1.73&#8243; x 8.3&#8243;)<br \/>\n\u2022 Total depth: 240 mm (9.4\u201d)<br \/>\n\u2022 Weight: 3 kg ( 6.6 lbs)<br \/>\n\u2022 Temperature range: +5\u00b0 up to +50\u00b0 Celsius (41\u00b0 F up to 122\u00b0F)<br \/>\n\u2022 Relative humidity: &lt; 75%, non condensing<\/p>\n<p><iframe loading=\"lazy\"  id=\"_ytid_70750\"  width=\"1200\" height=\"675\"  data-origwidth=\"1200\" data-origheight=\"675\" 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UFX+<\/p>\n","protected":false},"featured_media":1408,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":70,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_joinchat":[]},"pwb-brand":[265],"product_brand":[],"product_cat":[293,97],"product_tag":[154],"class_list":{"0":"post-1407","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"pwb-brand-rme-audio","7":"product_cat-thunderbolt","8":"product_cat-zvucne-kartice","9":"product_tag-rme-audio","11":"first","12":"outofstock","13":"taxable","14":"shipping-taxable","15":"purchasable","16":"product-type-simple"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ 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