{"id":2528,"date":"2017-08-15T08:32:18","date_gmt":"2017-08-15T06:32:18","guid":{"rendered":"http:\/\/www.sonarscope.hr\/shop\/?post_type=product&#038;p=2528"},"modified":"2023-07-16T19:40:45","modified_gmt":"2023-07-16T17:40:45","slug":"rme-fireface-ufx-ii","status":"publish","type":"product","link":"https:\/\/www.sonarscope.hr\/shop\/proizvod\/rme-fireface-ufx-ii\/","title":{"rendered":"RME Fireface UFX II"},"content":{"rendered":"<h1 class=\"underline\">Fireface UFX II &#8211; The USB Flagship Interface<\/h1>\n<div class=\"columnright280\">\n<div class=\"grey-rounded-box-top\">\n<h2>Connectivity<\/h2>\n<\/div>\n<div class=\"grey-rounded-box-text\">\n<ul class=\"listbullet\">\n<li>30 Input \/ 30 Output channels<\/li>\n<li>12 x Analog I\/O<\/li>\n<li>4 x Mic\/Instrument Preamp, digitally controlled<\/li>\n<li>1 x AES\/EBU I\/O<\/li>\n<li>2 x ADAT I\/O (or 1 x ADAT I\/O plus 1 x SPDIF I\/O optical)<\/li>\n<li>1 x Word Clock I\/O<\/li>\n<li>2 x MIDI I\/O<\/li>\n<li>1 x USB 2.0<\/li>\n<li>TotalMix FX<\/li>\n<li>optional: Advanced Remote Control USB<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<p>The unique Fireface UFX II is the premier solution to transfer analog and digital audio data directly to a computer from practically any source.<\/p>\n<p>Numerous unique features, well thought-out configuration dialogs, an industry-leading mixing engine and monitoring solution, professional DSP effects and class-leading analog circuits with latest digital converters put the Fireface UFX II at the very top of the range of computer-based audio interfaces.<\/p>\n<p><img decoding=\"async\" title=\"Fireface UFX II\" src=\"https:\/\/www.rme-audio.de\/images\/products\/ufx_ii.jpg\" width=\"390\" \/><\/p>\n<p>Features:<\/p>\n<p>With capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications.With exceptional flexibility and compatibility, the inclusion of DURec (Direct USB Recording), and RME\u2019s famous low latency hardware and driver designs, the Fireface UFX II delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities.<\/p>\n<p>The Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX II. Equally impressive is the unit\u2019s channel count: 12 analog, 16 ADAT, and 2 AES for 30 channels input and 30 channels output. Further, with support for USB 2 connectivity, the new Fireface UFX II can integrate with RME\u2019s optional ARC USB remote controller.<\/p>\n<p>RME\u2019s Fireface UFX II incorporates premium AD\/DA converters, optimized analog I\/O circuits, as well as improved SNR and THD values to guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range provides trouble-free operation for the most demanding recording environments.<\/p>\n<p>Further, new low impedance, high power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power and volume on any headphones &#8211; high or low impedance.<\/p>\n<h1 class=\"underline\">Improved DURec (Direct USB Recording)<\/h1>\n<p>The Fireface UFX II also includes DURec (Direct USB Recording), which is available on the front of the interface. It now offers second generation hardware with improved USB functionality and compatibility &#8211; providing greater reliability, even with slower or multi-partitioned USB thumb drives.<\/p>\n<h1 class=\"underline\">Plus<\/h1>\n<p>The ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.<\/p>\n<p>The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX II. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX II.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"alignright\"><a name=\"6\"><\/a><\/div>\n<h1 class=\"underline\">TotalMix FX<\/h1>\n<p>Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind.<\/p>\n<p>With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete.<\/p>\n<p>TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.<\/p>\n<div class=\"alignright\"><\/div>\n<p>TotalMix FX for iPad\u2122 adds full control over hardware mixer and DSP effects for Fireface UFX+, UFX II, UFX, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad\u2122<\/p>\n<div class=\"alignright\"><a name=\"8\"><\/a><\/div>\n<h1 class=\"underline\">Technical Specifications<\/h1>\n<h1><strong>Analog<\/strong><\/h1>\n<p><strong>AD, Line In 1-8, rear<br \/>\n<\/strong>\u2022 Resolution AD: 24 bit<br \/>\n\u2022 Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA<br \/>\n\u2022 Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz \u2013 20.8 kHz<br \/>\n\u2022 Frequency response @ 96 kHz, -0.5 dB: 3 Hz \u2013 45.8 kHz<br \/>\n\u2022 Frequency response @ 192 kHz, -1 dB: 2 Hz \u2013 92 kHz<br \/>\n\u2022 THD: &lt; -110 dB, &lt; 0.00032 %<br \/>\n\u2022 THD+N: &lt; -104 dB, &lt; 0.00063 %<br \/>\n\u2022 Channel separation: &gt; 110 dB<br \/>\n\u2022 Maximum input level: +19 dBu<br \/>\n\u2022 Input: 6.3 mm TRS jack, electronically balanced<br \/>\n\u2022 Input impedance: 8 kOhm unbalanced, 12 kOhm balanced<br \/>\n\u2022 Input sensitivity switchable to Lo Gain, +4 dBu<br \/>\n\u2022 Input level for 0 dBFS @ Lo Gain: +19 dBu<br \/>\n\u2022 Input level for 0 dBFS @ +4 dBu: +13 dBu<br \/>\n\u2022 Variable gain: 0 to +12 dB<br \/>\n\u2022 Minimum level for 0 dBFS: +1 dBu, -1.2 dBV<\/p>\n<p><strong>Microphone In 9-12, front\u00a0<\/strong><br \/>\nAs AD, but:<br \/>\n\u2022 Input: XLR, electronically balanced<br \/>\n\u2022 Input impedance: 3.4 kOhm<br \/>\n\u2022 Signal to Noise ratio (SNR): 115 dB RMS unweighted, 118 dBA<br \/>\n\u2022 Gain range: 75 dB<br \/>\n\u2022 Maximum input level, Gain 0 dB: +18 dBu<br \/>\n\u2022 Maximum input level, Gain 75 dB: -57 dBu<br \/>\n\u2022 CLIP LED: 0 dBFS \u2022 SIG LED: -60 dBFS<\/p>\n<p><strong>Instrument In 9-12, front\u00a0<\/strong><br \/>\nAs AD, but:<br \/>\n\u2022 Input: 6.3 mm TS jack, unbalanced<br \/>\n\u2022 Input impedance: 1 MOhm<br \/>\n\u2022 Signal to Noise ratio (SNR): 114 dB RMS unweighted, 118 dBA<br \/>\n\u2022 Gain range: 42 dB<br \/>\n\u2022 Maximum input level, Gain 8 dB: +21 dBu<br \/>\n\u2022 Maximum input level, Gain 50 dB: -21 dBu<\/p>\n<p><strong>DA, Line Out 3-8, rear<\/strong><br \/>\n\u2022 Resolution: 24 bit<br \/>\n\u2022 Dynamic range (DR): 115 dB RMS unweighted, 118 dBA<br \/>\n\u2022 Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz \u2013 20.8 kHz<br \/>\n\u2022 Frequency response @ 96 kHz, -0.5 dB: 5 Hz \u2013 45 kHz<br \/>\n\u2022 Frequency response @ 192 kHz, -1 dB: 5 Hz &#8211; 89 kHz<br \/>\n\u2022 THD: &lt; -110 dB, &lt; 0.00032 %<br \/>\n\u2022 THD+N: &lt; -104 dB, &lt; 0.00063 %<br \/>\n\u2022 Channel separation: &gt; 110 dB<br \/>\n\u2022 Maximum output level: +19 dBu<br \/>\n\u2022 Output: 6.3 mm TRS jack, servo-balanced<br \/>\n\u2022 Output impedance: 75 Ohm unbalanced, 150 Ohm balanced<br \/>\n\u2022 Output level switchable Hi Gain, +4 dBu, -10 dBV<br \/>\n\u2022 Output level at 0 dBFS @ Hi Gain: +19 dBu<br \/>\n\u2022 Output level at 0 dBFS @ +4 dBu: +13 dBu<br \/>\n\u2022 Output level at 0 dBFS @ -10 dBV: +2 dBV<\/p>\n<p><strong>DA &#8211; Stereo Monitor Output XLR (1-2)\u00a0<\/strong><br \/>\nAs DA, but:<br \/>\n\u2022 Output: XLR, balanced<br \/>\n\u2022 Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV<br \/>\n\u2022 Output level at 0 dBFS @ 24 dBu: +24 dBu<br \/>\n\u2022 Output level at 0 dBFS @ Hi Gain: +19 dBu<br \/>\n\u2022 Output level at 0 dBFS @ +4 dBu: +13 dBu<br \/>\n\u2022 Output level at 0 dBFS @ -10 dBV: +2 dBV<\/p>\n<p><strong>DA &#8211; Stereo Monitor Output Phones (9-12)<\/strong><br \/>\nAs DA, but:<br \/>\n\u2022 Output: 2 x 6.3 mm TRS stereo jack, unbalanced<br \/>\n\u2022 Maximum output level at 0 dBFS, High: +19 dBu<br \/>\n\u2022 Maximum output level at 0 dBFS, Low: +2 dBV<br \/>\n\u2022 Output impedance: 2 Ohm<br \/>\n\u2022 Max power per channel @ 32 Ohm load, 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu)<\/p>\n<p>&nbsp;<\/p>\n<h1 class=\"underline\">MIDI<\/h1>\n<p>\u2022 2 x MIDI I\/O via 5-pin DIN jacks<br \/>\n\u2022 Galvanically isolated by optocoupled input<br \/>\n\u2022 Hi-speed mode: Jitter and response time typically below 1 ms<br \/>\n\u2022 Separate 128 byte FIFOs for input and output<\/p>\n<p>&nbsp;<\/p>\n<h1 class=\"underline\">Digital<\/h1>\n<p>\u2022 Clocks: Internal, ADAT, AES, MADI, word clock<br \/>\n\u2022 Low Jitter Design: &lt; 1 ns in PLL mode, all inputs<br \/>\n\u2022 Internal clock: 800 ps Jitter, Random Spread Spectrum<br \/>\n\u2022 Jitter suppression of external clocks: &gt; 30 dB (2.4 kHz)<br \/>\n\u2022 Effective clock jitter influence on AD and DA conversion: near zero<br \/>\n\u2022 PLL ensures zero dropout, even at more than 100 ns jitter<br \/>\n\u2022 Digital Bitclock PLL for trouble-free varispeed ADAT operation<br \/>\n\u2022 Supported sample rates: 28 kHz up to 200 kHz<\/p>\n<p>&nbsp;<\/p>\n<h1 class=\"underline\">Digital Inputs<\/h1>\n<p><strong>AES\/EBU<\/strong><br \/>\n\u2022 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992<br \/>\n\u2022 High-sensitivity input stage (&lt; 0.3 Vpp) \u2022 SPDIF compatible (IEC 60958)<br \/>\n\u2022 Accepts Consumer and Professional format<br \/>\n\u2022 Lock range: 27 kHz \u2013 200 kHz<br \/>\n\u2022 Jitter when synced to input signal: &lt; 1 ns<br \/>\n\u2022 Jitter suppression: &gt; 30 dB (2.4 kHz)<\/p>\n<p><strong>ADAT Optical<\/strong><br \/>\n\u2022 2 x TOSLINK, format according to Alesis specification<br \/>\n\u2022 Standard: 2 x 8 channels 24 bit, up to 48 kHz<br \/>\n\u2022 Double Speed (S\/MUX): 2 x 4 channels 24 bit 96 kHz<br \/>\n\u2022 Quad Speed (S\/MUX4): 2 x 2 channels 24 bit 192 kHz<br \/>\n\u2022 Bitclock PLL ensures perfect synchronisation even in varispeed operation<br \/>\n\u2022 Lock range: 31.5 kHz \u2013 50 kHz \u2022 Jitter when synced to input signal: &lt; 1<\/p>\n<p><strong>SPDIF optical (ADAT2)<\/strong><br \/>\n\u2022 1 x optical, according to IEC 60958<br \/>\n\u2022 Accepts Consumer and Professional format<br \/>\n\u2022 Lock range: 27 kHz \u2013 200 kHz<br \/>\n\u2022 Jitter when synced to input signal: &lt; 1 ns<br \/>\n\u2022 Jitter suppression: &gt; 30 dB (2.4 kHz)<\/p>\n<p><strong>Word Clock<\/strong><br \/>\n\u2022 BNC<br \/>\n\u2022 Internal termination 75 Ohm switchable<br \/>\n\u2022 Automatic Double\/Quad Speed detection and internal conversion to Single Speed<br \/>\n\u2022 SteadyClock guarantees super low jitter synchronization even in varispeed operation<br \/>\n\u2022 Not affected by DC-offsets within the network<br \/>\n\u2022 Signal Adaptation Circuit: signal refresh through auto-center and hysteresis<br \/>\n\u2022 Overvoltage protection<br \/>\n\u2022 Level range: 1.0 Vpp \u2013 5.6 Vpp<br \/>\n\u2022 Lock Range: 27 kHz \u2013 200 kHz<br \/>\n\u2022 Jitter when synced to input signal: &lt; 1 ns<br \/>\n\u2022 Jitter suppression: &gt; 30 dB (2.4 kHz)<\/p>\n<p>&nbsp;<\/p>\n<h1 class=\"underline\">Digital Outputs<\/h1>\n<p><strong>AES\/EBU<\/strong><br \/>\n\u2022 XLR, transformer-balanced, galvanically isolated, according to AES3-1992<br \/>\n\u2022 Output level Professional 4.5 Vpp, Consumer 2.6 Vpp<br \/>\n\u2022 Format Professional according to AES3-1992 Amendment 4<br \/>\n\u2022 Format Consumer (SPDIF) according to IEC 60958<br \/>\n\u2022 Single Wire mode, sample rate 28 kHz up to 200 kHz<\/p>\n<p><strong>ADAT<\/strong><br \/>\n\u2022 2 x TOSLINK<br \/>\n\u2022 Standard: 2 x 8 channels 24 bit, up to 48 kHz<br \/>\n\u2022 Double Speed (S\/MUX): 2 x 4 channels 24 bit 96 kHz<br \/>\n\u2022 Quad Speed (S\/MUX4): 2 x 2 channels 24 bit 192 kHz<\/p>\n<p><strong>SPDIF optical (ADAT2)<\/strong><br \/>\n\u2022 Format Consumer (SPDIF) according to IEC 60958<br \/>\n\u2022 Sample rate 28 kHz up to 200 kHz<\/p>\n<p><strong>Word Clock<\/strong><br \/>\n\u2022 BNC<br \/>\n\u2022 Max. output voltage: 5 Vpp<br \/>\n\u2022 Output voltage @ 75 Ohm termination: 4.0 Vpp<br \/>\n\u2022 Output impedance: 10 Ohm<br \/>\n\u2022 Frequency range: 27 kHz \u2013 200 kHz<\/p>\n<p>&nbsp;<\/p>\n<h1 class=\"underline\">General<\/h1>\n<p>\u2022 Power supply: Internal switching PSU, 100 &#8211; 240 V AC, 36 Watts<br \/>\n\u2022 Idle power consumption: 19 Watts<br \/>\n\u2022 Typical power consumption: 22-25 Watts<br \/>\n\u2022 Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19&#8243; x 1.73&#8243; x 8.5&#8243;)<br \/>\n\u2022 Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3&#8243; x 1.73&#8243; x 8.3&#8243;)<br \/>\n\u2022 Total depth: 240 mm (9.4\u201d)<br \/>\n\u2022 Weight: 3 kg ( 6.6 lbs)<br \/>\n\u2022 Temperature range: +5\u00b0 up to +50\u00b0 Celsius (41\u00b0 F up to 122\u00b0F)<br \/>\n\u2022 Relative humidity: &lt; 75%, non condensing<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fireface UFX II &#8211; The USB Flagship Interface Connectivity 30 Input \/ 30 Output channels 12 x Analog I\/O 4 x Mic\/Instrument Preamp, digitally controlled 1 x AES\/EBU I\/O 2 x ADAT I\/O (or 1 x ADAT I\/O plus 1 x SPDIF I\/O optical) 1 x Word Clock I\/O 2 x MIDI I\/O 1 x&hellip;&nbsp;<a href=\"https:\/\/www.sonarscope.hr\/shop\/proizvod\/rme-fireface-ufx-ii\/\" rel=\"bookmark\">Read More &raquo;<span class=\"screen-reader-text\">RME Fireface UFX II<\/span><\/a><\/p>\n","protected":false},"featured_media":2530,"comment_status":"open","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_joinchat":[]},"pwb-brand":[265],"product_brand":[],"product_cat":[289,290,97],"product_tag":[154],"class_list":{"0":"post-2528","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"pwb-brand-rme-audio","7":"product_cat-studio-oprema","8":"product_cat-usb","9":"product_cat-zvucne-kartice","10":"product_tag-rme-audio","12":"first","13":"outofstock","14":"taxable","15":"shipping-taxable","16":"purchasable","17":"product-type-simple"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - 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