{"id":2850,"date":"2017-09-29T12:32:08","date_gmt":"2017-09-29T10:32:08","guid":{"rendered":"http:\/\/www.sonarscope.hr\/shop\/?post_type=product&p=2850"},"modified":"2024-08-20T07:29:47","modified_gmt":"2024-08-20T05:29:47","slug":"universal-audio-6176-channel-strip","status":"publish","type":"product","link":"https:\/\/www.sonarscope.hr\/shop\/proizvod\/universal-audio-6176-channel-strip\/","title":{"rendered":"Universal Audio 6176 channel strip"},"content":{"rendered":"
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6176 VINTAGE CHANNEL STRIP<\/h1>\n<\/div>\n<\/div>\n
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A classic tube microphone preamp and 1176LN compressor in a single unit.<\/h2>\n<\/div>\n
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The 6176 Vintage Channel Strip combines the alluring, all-tube sounds of the legendary Bill Putnam-designed 610 microphone preamp, with the signature FET compression of our 1176LN, to create the ultimate recording channel strip.<\/p>\n

The warm, smooth tones of this mic preamp design \u2014 employed to record everyone from Frank Sinatra to Van Halen \u2014 and the unique characteristics of the compressor, are two major reasons why the 6176 is found in studios around the world.<\/h3>\n<\/div>\n

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NOW YOU CAN:<\/h2>\n
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Record through the all-tube mic preamp derived from legendary Bill Putnam-designed 610 modular console<\/h2>\n<\/div>\n
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Compress signals with the 1176LN Class A FET compressor section \u2014 heard on countless hit records for more than 40 years<\/h2>\n<\/div>\n<\/div>\n
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Use the “Split” or “Join” switch for separate or series operation of the preamp and compressor<\/h2>\n<\/div>\n
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Shape your tracks through vintage UA, “handmade in the USA,” circuits<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Two Classics in One<\/h2>\n

Thanks to its straightforward controls and hallmark sound, the 6176 is the signal path of choice for engineering heavyweights like Vance Powell and Joe Chiccarelli, plus artists including Chris Martin of Coldplay, Norah Jones, Wyclef Jean, and James Mercer of The Shins. The ability to \u201cSplit\u201d or \u201cJoin\u201d the preamp and the compressor sections via a simple switch gives the 6176 added flexibility. This is truly UA\u2019s premier channel strip, and among the world\u2019s\u00a0finest.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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The 610B \u2014 A World Renowned Mic\u00a0Preamp<\/h2>\n

The 2-610 microphone and instrument preamplifier has received praise from many corners. Michael Cooper, in his review for Mix Magazine, called it “hands-down, the most dimensional mic preamp I’ve ever heard”. Peter Wade, engineer\/producer who has worked with acts ranging from Wyclef Jean to Jennifer Lopez, said simply, “This box rocks.” The 6176 mic preamp sections maintains the quality and character of the 2-610 while adding high-tension power regulation for improved bass response and a front-panel 15db pad\u00a0switch.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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The 1176LN \u2014 A Compressor with\u00a0Tone<\/h2>\n

As legendary engineer\/producer Andy Johns put it, “The 1176LN is the workhorse compressor.” In fact, the 1176LN may well be the most loved compressor in history. Its trademark lightning-quick attack and release times and the tone of it’s Class A output amplifier have enhanced countless recordings over the last thirty-five years. We’ve recreated the 1176LN for the compressor section of the 6176 with the same exacting, attention to detail and tradition we use on our 1176LN. The resulting character, heritage and tone simply cannot be found on other channel\u00a0strips.<\/p>\n

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Key Features<\/h3>\n<\/dt>\n
All-tube mic preamp section derived from legendary Bill Putnam-designed 610 modular console
\nSignature 1176LN Class A FET compressor section \u2014 heard on countless hit records for more than 40 years
\n“Split” or “Join” switch allows separate or series operation of the preamp and compressor
\nHigh and Low frequency shelving EQ
\nVariable impedance Input, Gain, and Output levels
\nMic, balanced Line, and Hi-Z inputs
\nUltra-quiet operation
\nStereo interconnection via 1176-SA
\nHand-built in USA; backed by 1-Year limited warranty<\/dd>\n
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Parameters<\/h3>\n<\/dt>\n
Preamp:<\/p>\n

Microphone Input Impedance: Selectable, 500 \u03a9(ohms) or 2k
\nBalanced Line Input Impedance: 20k \u03a9
\nHi-Z Input Impedance: Selectable between 2.2 M \u03a9 or 47 k \u03a9
\nMaximum Microphone Input Level: +18 dBu (2k input impedance and 15 dB Pad in)
\nMaximum Output Level: +20 dBm
\nInternal Output Impedance: 80 \u03a9
\nRecommended Minimum Load: 600 \u03a9
\nFrequency Response: 20 Hz to 20 kHz +0, -1 dB
\nMaximum Gain: 65 dB (500 \u03a9 input impedance)
\nSignal-to-Noise Ratio > 90 dB (@ maximum gain)<\/p>\n

Limiting Amplifier:<\/p>\n

Input Impedance: Selectable, 15k \u03a9 (ohms) or 600 \u03a9
\nOutput Load: Impedance 600 \u03a9 (floating)
\nFrequency Response: 20 Hz to 20 kHz \u00b1 1 dB
\nGain: 40 dB, \u00b1 1 dB
\nDistortion: > 0.5% T.H.D. from 50 Hz \u2013 15 kHz with limiting, at 1.1 seconds release setting. Output of +22 dBm with no greater than 0.5% T.H.D.
\nSignal-to-Noise Ratio: > 75 dB
\nAttack Time: Adjustable, from 20 to 800 microseconds
\nRelease Time: Adjustable, from 50 milliseconds to 1.1 seconds
\nStereo Interconnection: Optional, using 1176SA stereo interconnect accessory<\/p>\n

General:<\/p>\n

Tube Complement: (1) 12AX7A, (1) 12AT7A
\nPower Requirements: 115V\/230V
\nPower Connector: Detachable IEC power cable.
\nFuse: 400 mA time delay (slow blow) \/ 115 V200 mA time delay (slow blow) \/ 230 V
\nPower Indicator Light: 28 V bulb (type 1819)
\nDimensions 1: 9″ W x 3.5″ H x 12.25″ D (two rack unit)
\nWeight: 12 lb.<\/p>\n