Designed for those who are cutting a crash sequence and need something specific, not a wide spectacle but the precise sound of a door panel catching a concrete barrier or a windshield cracking under pressure. Most libraries offer you a finished crash event. But what you need is more granular. ROAD RAGE is a crash construction kit for vehicle damage, built from the individual elements that make collisions credible. Studio-recorded components for precision, scrapyard sessions for real-world events, and large-scale crane drops for destruction that shakes the room: hundreds of individual files, recorded from inside and outside the vehicles, designed to be assembled into crashes that match the exact scene.<\/p>\n
Built Layer by Layer<\/strong> Studio, Scrapyard, Crane Drop<\/strong> Two Perspectives, One Take<\/strong> Designed for Game Audio<\/strong> ROAD RAGE \u2013 Construction Kit<\/strong> Array Road Rage \u2013 Designed<\/strong> Assembled From the Construction Kit<\/strong> Construction Kit and Designed Content Combined<\/strong> The bundle delivers the full library: every Construction Kit element plus the complete Designed layer at a reduced price. It is the perfect choice for sound designers who need both workflow options, raw components for custom crash design, and pre-assembled sequences for faster editorial decisions, without having to manage separate purchases or licenses.<\/p>\n requirements:
A convincing crash is built from layers: impact, resonance, debris, and structural settling. ROAD RAGE captures each as a clean, isolated element across glass, metal, plastic, and rubber, so you assemble crashes that match the action precisely.<\/p>\n
Three recording phases, each targeting a different part of the dynamic range: studio sessions for clean isolated components, scrapyard sessions using forklifts and heavy equipment to create impacts, and crane drops for the library\u2019s highest-energy material.<\/p>\n
Major impacts were captured from simultaneous positions: exterior M\/S and A\/B stereo, Ambisonic interior capture, and contact mics on the surfaces. Collisions from outside the car, from inside the car, and from the material itself.<\/p>\n
Physics-driven destruction systems need hundreds of distinct, addressable elements. ROAD RAGE\u2019s component structure, UCS-tagged metadata, and granular categories make individual elements adaptable to game engine triggers, from a low-speed scrape to a high-speed barrier impact.<\/p>\n
Material by Material<\/strong>
The Construction Kit is organized by material and vehicle component across six main categories:<\/p>\n
\n(
\n [0] => Glass and car parts covering break, debris, and shatter events
\n [1] => Metal covering panel impacts, hood hits, scrapes, and friction across every major body section
\n [2] => Plastic and carbon cracking and rattling under stress
\n [3] => Structural elements including door flex, body rolls, and frame resonance
\n [4] => Environmental contact surfaces covering dirt, grass, ice, chain link fences, road signs, and poles
\n [5] => Mechanical detail covering interior rattles, component stress, and rubber tire friction. Additional content includes tire screeches, burnouts, and drift sounds recorded on location. Every category is organized for direct access in audio management tools.
\n)
\n
Multi-Position Capture<\/strong>
Many events are available across multiple simultaneous mic positions: exterior M\/S and A\/B configurations, interior Ambisonic (AmbiX) capture, contact microphones (LOM Geofon) on the vehicle surfaces, and in selected events, additional specialist close-mic positions (DPA 4061\/4062, CO-100K, Sennheiser e901, Audix D6). This gives you the same event from multiple perspectives, so the same underlying element can serve as a wide exterior shot and a tight interior sequence without acoustic inconsistency between the two.<\/p>\n
Six Car Types, Two Truck Types, Two Motorcycle Types<\/strong>
The Designed edition contains 90 pre-assembled crash sequences across six car types \u2013 two sets of three different vehicles each, ranging from small car to SUV \u2013 plus two truck types and two motorcycle types. For the cars and trucks, every event type (head-on collision, complex rollover, single rollover, roof crush, and scrape) is delivered as both exterior and interior versions, so an edit that moves from outside a vehicle to inside uses material with matching acoustic character throughout. The truck sequences extend the range into heavier vehicle mass and structural behaviour. The motorcycle sequences cover head-on collision, rear collision, complex rollover, single rollover, and scrape \u2013 captured from the exterior perspective, matching how motorcycle crashes are framed on screen \u2013 and add lighter, more agile vehicle dynamics to the collection.<\/p>\n
Every Designed sequence is built from the same Construction Kit elements available in the bundle. These are not separately produced: they are layered compositions from the raw material, showing one possible assembly at each scale and event type. Editors who need immediate drop-in options can use them as designed by our expert team. And for sound designers who want to understand and adapt what is built into each finished sequence they have direct access to the components.<\/p>\n
THE BUNDLE \u2013 The best of both worlds at a discounted price.<\/p>\n
mac:
disk: 15
internet required: no
windows:
disk: 15
internet required: no
trial: no
notes:
feature: 14.3GB
690 Files
5,962 Sounds
platforms: mac
windows