A virtual instrument that pays tribute to the legendary synth pioneer Alan R. Pearlman!
An exceptional three-in-one virtual instrument!
With the precision-crafted and circuit-modeled DSP designs from award-winning developer Mark Barton, the ODC 2800 transcends mere emulation of the successor to the renowned ARP 2600. ODC 2800 not only delivers an authentic reproduction of the sound and appearance of all three versions of the original hardware. It also elevates the experience with expanded polyphony and smart portamento, an additional oscillator and LFO, extensive modulation options, and support for velocity and polyphonic aftertouch. Plus, it features a redesigned and intuitive integrated effects suite that enhances the sound design process and ease of use. ODC 2800 offers the ultimate journey through time, connecting the past with the future!
requirements:
mac:
cpu: Quad-core computer
ram: 8
version: 1.0
notes: macOS 10.9 or above (including macOS 12), Native Apple M1 processor support.
internet required: yes
plugins:
VST-2
VST-3
AU
AAX
STAND-ALONE
windows:
cpu: Quad-core computer
ram: 8
version: 1.0
notes: Windows 7 or above (including Windows 11)
internet required: yes
support:
64_bit
plugins:
VST-2
VST-3
AAX
STAND-ALONE
trial: no
notes:
feature: All aspects of the classic ARP® Instruments Odyssey synthesizers — the 1972 Mk I 2800 series, the 1975 Mk II 2810 series, and the 1978 Mk III 2820 series — have been meticulously replicated with precise detail
Additionally, ODC 2800 has been significantly enhanced with expanded functionality and modulation options, making it the ultimate expression of the legendary synth that inspired it
Award-winning synth designer Mark Barton’s proprietary DSP coding perfectly reproduces every sonic nuance and response of the original synthesizers
Introduces a new look for Cherry Audio virtual instruments with the integration of an expandable panel for more immediate access to effects settings
Over 330 professionally-designed presets in 13 categories
Monophonic, Mono Legato, Duophonic, and Polyphonic modes with 1, 4, 8, or 16 voices, and unison
Three complete VCOs, each with sawtooth and square/pulse waveforms
VCO frequency with quantize options
Extended oscillator sync routing for VCO-2 to VCO-1 or VCO-3, and VCO-2 to VCO-1 or VCO-2
Three Frequency Modulators (FM) for each VCO, including an extra assignable modulator with 35 source options
Portamento with adjustable VCO-2 and VCO-3 delay settings
Smart portamento enhances polyphonic performance in a more musical fashion
Customizable options for PPC (Proportional Pitch Control) for Pitch Bend (+/-12 semitone range) and PPC modulation (+/-7 semitone range)
Noise generator with white and pink, with additional violet and brown noise colors
Ring mod, and now cross-modulation between the VCOs possible through the assignable FM menus
Greatly expanded LFO options with two discrete LFOs, each with sine, triangle, square, sawtooth, and ramp waveforms, and options for mono or poly, key reset, and sync. Additional waveshaping options with pulse width and delay amount
Sample/Hold Mixer with assignable modulation sources
VCF filter emulation based on the three versions: Rev 1 4023 (12 dB/Oct, 2-pole) from the 2800; Rev 2 4035 (24 dB/Oct, 4-pole, ladder) from the 2810; and Rev 3 4075 (24 dB/Oct, 4-pole cascade) from the 2820
Highpass filter
Lowpass, bandpass, and highpass responses on all three VCFs
Selectable gain compensation on both 4-pole filters so you don’t lose bass at high resonance
Adjustable VCA drive
Individually assignable modulation controls in the mixer for VCOs, VCF and VCA with 33 possible sources
Two full ADSR Envelope Generators with velocity control
Trimmer-style Drift controls for VCO, VCF, and EG
Matching UI panel designs for Models 2800, 2810, and 2820 with UI lock option and hideable panel for keyboard and effects
Syncable dynamic arpeggiator with Swing, Chance, and Feel to add degrees of randomness to arpeggiated patterns in regular, order, or random play modes
Support for velocity, channel aftertouch, and polyphonic aftertouch with compatible USB/MIDI controllers
Three distinct assignable aftertouch controls with 24 destinations
New Effects panel with persistently accessible UI controls for on/off, solo, bipolar modulator amount slider, and dry/wet mix for each effect. Global FX on/off, level, and stereo expand
Integrated studio-quality pedal-style Effects: Distortion/EQ effect, Dual 4/8-stage Phaser, Flanger/Chorus, three Echo delays, and five Reverb types
Syncable discrete Effects Modulator (FX LFO) with ramp, saw, triangle, sine, square, and random waveforms and delay
Master Volume with Limiter, and Master Tune
Standalone virtual instrument and plug-in versions included
Super accurate DAW sync
Highly optimized coding for optimal performance with ultra-low CPU load
User-adjustable oversampling control
Complete MIDI control and DAW automation for all controls, with easy-to-use MIDI learn and mapping (Preset and Global)
Cherry Audio’s popular Focus zoom-in feature, as well as standard UI zoom and resize via drag
Complete documentation available directly online from the instrument or in downloadable PDF format
ARP® and ARP ODYSSEY® are registered trademarks of Korg Inc. There is no association, affiliation or endorsement of Cherry Audio or its products by Korg. References here to ARP and the Odyssey synthesizer by ARP Instruments are included as historical reference.
licensing methods:
computer
platforms: mac
windows
1316-1064
