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Punctuate

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Auditory Transient Shaper

Kategorija: Oznaka:

        Auditory Transient Shaper
                 Make it Pop
                 Based on the Transient Emphasis section of the award-winning Elevate Mastering Limiter, Punctuate is a multi-band transient modulator based on the critical bands in the human ear. Punctuate’s intelligent algorithms allow you to control the transient emphasis or suppression of all 26 critical bands with just 4 controls. This makes for an incredibly powerful, but very easy to use, transient modulator.
                 Transient shapers are used by top mix engineers to either crank up or soften the transients of instruments, emphasizing either the attack or sustain. However, traditional transient shapers work on the whole signal at once, modulating the whole frequency range when the transient snap is only happening in one band. Punctuate uses a model of the human ear to run a set of transient shapers across the whole spectrum of human hearing. This allows you to tailor the attack of a whole range of instruments, busses, and whole mixes without messing with the entire frequency range. The result is unparalleled transient shaping power-focused where you need it, and not where you don’t.
                 You can:
                 Array
                 Science Behind Punctuate
                 Humans can only detect the presence of a tone if it is a certain distance from another tone playing at the same time. The Mel Scale defines the arrangement of auditory frequency bands such that each band sounds equally spaced from all others. This division of sound describes how humans hear. Most graphic EQs are IIR (infinite impulse response) or analog-style filters. These have a lot of great properties, but unfortunately, the shape of an IIR filter isn’t very flexible. For instance, even with every band set flat, the total filter shape isn’t actually flat. Furthermore, when you boost or cut each band you’re affecting the ones next to it as well. Punctuate uses a linear phase FIR (finite impulse response) filter that doesn’t have these problems so what you hear is true to what you see on the screen.
                 Instead of using what DSP engineers call “ideal” rectangular FIR filters, these are triangularly shaped filters. These are often used in hearing models as a first approximation to the critical bands in your inner ear. When you shape filters like the ones in your ear, the filtered signal sounds natural. In a complex signal, at any given time, you can really only hear one sound source in each filter.
                 Punctuate uses these filters to break the incoming audio signal into the 26 critical bands, and runs a transient shaper on each band for unprecedented control over the transients of the audio signal. By doing this, Punctuate allows you to add punch in only the places where the signal needs, instead of just slamming the level of the entire signal up and down at the transient point. Because you have independent control over the bands, you can even emphasize transients in some bands while suppressing them in others. And because it’s based on Critical Bands, it does this in such a way that sounds natural to the human ear, so you don’t hear any artifacts. Finally, Punctuate allows you to smooth the transient modulation across bands using the ADAPTIVE TRANSIENT control. This allows you to run the bands independently for ultimate control, or couple them for a smoother sound.
        requirements:
           mac:
              internet required:   no
              support:
                 64_bit
              plugins:
                 VST-2
                 VST-3
                 AU
                 AAX
           windows:
              internet required:   no
              support:
                 64_bit
              plugins:
                 VST-2
                 VST-3
                 AAX
        trial:   no
        notes:   
        feature: 26 Transient Modulators aligned to the critical bands of the human ear
                 Adaptive Transient slider allows bands to work independently or smoothes them for more natural processing
                 Emphasize or Suppress transients in each band, using the global Transient Emphasis slider to scale the overall processing
                 Transient Length and Adaptive Transient Length controls allow you to fine tune the transient length
                 Scrolling meter display shows the transient modulation in each band
                 Mix control for parallel processing
                 Same mastering quality input and output section available in all Elevate plug-ins
                 Solo and reconfigure the bands for in depth sound design
        licensing methods: 
                  ilok
        platforms: mac
                   windows
        
        

31794 1247-54

Brand

Newfangled Audio

Newfangled Audio was started by Dan Gillespie after 15 years of writing DSP for Eventide. By combining traditional digital signal processing techniques with advances in the field of machine learning we're creating the best sounding audio tools available.