SNIŽENO 28%

thEQorange

Obrocno i Paypal: 500.80

Original price was: 672.35€.Current price is: 481.54€. PDV uključen

Linear phase without compromise.

Kategorije: , Oznaka: Najniža cijena u prethodnih 30 dana: 672.35€ PDV uključen

        Linear Phase Without Compromise,
                 When purity is paramount.
                 A remedial linear phase EQ with unparalleled clarity. For mastering ears, and other discerning engineers.
                 A Dream Come True
                 Many mastering engineers, including MAAT founder Friedemann Tischmeyer, were fans of Algorithmix’s legendary original Linear Phase PEQ Orange. Unfortunately, the Algorithmix EQs were available only as 32 bit VSTs for PC and our workstations and our industry has evolved since then. Tischmeyer’s students repeatedly asked for alternatives, which caused him to scan the market for other high class EQs. Colleague Bob Katz recommended EQuilibrium, an insanely versatile tool, which Tischmeyer used for teaching. However, he could not find a satisfying alternative which would take the place of his original PEQ Orange.
                 The idea was born to reissue this masterpiece and make it available as 64 bit in all common formats and for macOS. An agreement with Algorithmix was made, and MAAT started up in mid–2017. Algorithmix fans heard of that and reached out to us, saying “…just redo it as it is; no extras, no nothing. We just want to have it back in 64 bit and for Mac.” That was encouraging. As a power user, Tischmeyer had some other ideas in mind regarding the UI. He wanted to make it more flexible and faster to use because there is no other tool in the mastering chain an engineer spends so much setup time with. The result? “I think we have achieved that. The UI allows super fast setup and has a number of unique features which help to do so: The positive & negative Contribution function including absolute difference, the adjustable sonogram which makes detecting energy spots you want to clean up easy, and the possibility to play a note on the piano you have in your head and just push the respective frequency to the active band section with one right click are just a few of the new features. What I like too is that I have an overview of all Sections as opposed to just one Section at a time.” In order to not end up with a strange Section order when using many filters, we also added the SORT button so your Sections are always in ascending order.
                 Unobtrusive Power
                 thEQorange’s powerful features hide behind its clean and simple UI. Eye candy is great for newbies, but thEQo isn’t typical. It packs all the advanced features you need into one resizable window that’s easy on the eyes. Not only does the UI “get out of the way” so you can be more productive, we’ve incorporated industry–first features that speed your workflow, neatly packaged to make thEQorange easy and intuitive to use. An example is the ability to freely assign Sections to either stereo [left/right] or sum/difference [L+R/L-R] at the same time.
                 Subtle Functionality
                 We’ve brought pristine fidelity and innovative user interface design to what used to be an unremarkable product category. With four monitoring modes, an ergonomic and uncluttered interface, intelligent monitor auto–gain plus crazy good sound, you’ve got to try thEQorange for yourself.
                 Better By Design
                 Whether you’re looking for surgically precise repair, colorless correction, or simply baggage–free spectral contouring, our proprietary, precision algorithm delivers on the promise of linear phase correction. For clean up and control duties, bring the power and purity of thEQorange to bear for all your surgical equalizing tasks.
        requirements:
           mac:
              ram:   2
              version:   macOS 10.9 and newer
              additional_requirements:   OpenGL 3.2 or newer
              internet required:   yes
              support:
                 64_bit
              plugins:
                 VST-2
                 VST-3
                 AU
                 AAX
           windows:
              ram:   2
              version:   Windows 7 and newer
              additional_requirements:   OpenGL 3.2 or newer
              internet required:   yes
              support:
                 32_bit
                 64_bit
              plugins:
                 VST-2
                 VST-3
                 AAX
        trial:   yes
        notes:   
        feature: Exclusive Contribution Control™ — positive addition only, negative addition only, EQ contribution only, and “normal” EQ out helps to aurally keep track of your progress
                 Proprietary algorithms result in extremely low noise and vanishingly small nonlinear distortion
                 Unique EQ design results in no perceptible unwanted coloration with mixes (processing artifacts well below -100 dBFS) — work with clarity, transparency, and definition
                 Equal delay at all frequencies regardless of filter settings, perfectly preserving the time relationship of harmonics in the original signal
                 Operates at up to 384 kHz sampling rate, suitable for high resolution audio (HRA), DSD or DXD production and post
                 Extended resonant or center frequencies up to 174.14 kHz, for processing in ultrasonic and near ultrasonic for all HRA production and post
                 Exceptionally transparent ELF response, perfect for DC removal
                 12 sections with 5 freely assignable parametric filter types; bell, low shelf, high shelf, low cut, and high cut
                 5 freely assignable Panorama modes; stereo, mono (sum), L-R (difference), left–only and right–only
                 80 bit internals (long double floats) virtually eliminate rounding errors
                 Adjustable Q for bell and high/low pass filters make musical adjustments easy
                 Adjustable slope for shelving filters improve precision in the pass and stopbands
                 Double the stopband attenuation (ripple) compared to other filter implementations
                 Additional low and high pass filters can be overlapped to achieve steep “brickwall” slopes
                 Special oversampling for reduced aliasing when working with baseband (44.1 & 48 kHz) sample rates
                 No coloration or amplitude bumps even at very low frequencies
                 Optional inbuilt tone generator makes for quick location of trouble spots
                 SORT function organizes active Sections in ascending order
                 TUNE function aligns center frequencies to Western tunings
                 Sections have Solo and FLIP to quickly find and address trouble spots
                 Grid snap toggles between surgical and musical applications, emulating popular hardware resonant frequency choices, including Maselec and Manley
                 True Peak metering to avoid overs
                 AutoGain for effortless A/B comparisons
                 Resizable frequency response display for easy, high precision adjustments
                 Exclusive dual view, monochrome/color real time spectrogram with user adjustable temporal wiper lets you choose “when” to transition to low clutter monochrome
                 Choice of parametric editing via numerical fields or directly on the graphical display
                 Complete setup exchange across multiple instances
        licensing methods: 
                  computer
                  cloud
        platforms: mac
                   windows
        
        

1414-1000

Brand

Maat