Mercury-4 Synthesizer

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Mercury-4 Synthesizer

        Mercury-4 lovingly recreates Jupiter-4
                 Poly In The Beginning
        requirements:
           mac:
              cpu:   Quad-core computer
              ram:   8
              version:   1
              notes:   macOS 10.9 or above (including macOS 12). Native Apple M1 processor support
              internet required:   yes
              support:
                 64_bit
              plugins:
                 VST-2
                 VST-3
                 AU
                 AAX
                 STAND-ALONE
           windows:
              cpu:   Quad-core computer
              ram:   8
              version:   1
              notes:   Windows 7 or above (including Windows 11)
              internet required:   yes
              support:
                 64_bit
              plugins:
                 VST-2
                 VST-3
                 AAX
                 STAND-ALONE
        trial:   no
        notes:   Originally released in 1978, the Roland Jupiter-4 synthesizer was one of the earliest instruments to combine voice-assign polyphony with digital patch storage – that is, the ability to store and recall sounds to a digital memory and recall them at the touch of a button. The Jupiter-4 rapidly became the go-to polysynth for numerous English and European acts in the 80s’ including Duran Duran, Thomas Dolby, The Human League, Simple Minds, and more, and for good reason – the Jupiter-4 sounded fantastic, with a raw, raunchy tone not found in any of the other beloved Juno and Jupiter synths. Its analog oscillators have a uniquely aggressive tone quality, the built-in sub oscillator adds girth, its oddly fast and deep LFO modulation capabilities allow it to create uniquely whacked out modular synth-like tones, and Roland’s famous stereo chorus “ensemble” circuit is beautifully implemented, adding a boatload of width and dimension. The original instrument had its share of caveats, including
        feature: Authentically modeled oscillator with sub oscillator
                 All filter characteristics modeled, including powerful low-frequency resonance
                 Up to 16-voice polyphony
                 Exactingly replicated unique arpeggio section w/tempo sync
                 Carefully modeled wide-range LFO modulation with “inverted” mod characteristics
                 Drift control for increased analog realism
                 Precisely replicated stereo ensemble effect
                 Warm and organic tape echo with multiple reverb modes
                 Tempo-syncable LFO
                 Detunable unison mode
                 Single-key chord memory mode
                 Highly optimized coding for high performance with ultra-low CPU load
                 Advanced one-click UI magnification
                 Comprehensive MPE support
                 Full MIDI control and DAW automation for all controls
                 Available in AU, VST, VST3, AAX, and standalone formats
                 Over 400 presets, programmed by industry veterans
        licensing methods: 
                  computer
        platforms: mac
                   windows
        

26260 1316-1025

Brand

Cherry Audio