Create and monitor audio up to full theatrical Atmos®
MTRX II is built for today’s demanding audio workflows, ideal for multi-room facilities with complex setups. MTRX II provides high-quality mic preamps and renowned AD/DA conversion with immense I/O, routing, and monitoring flexibility. MTRX II adapts to your needs with its massive 4,096 x 4,096 router, 384 channels of built-in low latency I/O and onboard DigiLink, Dante, and MADI I/O. Plus, built-in SPQ Speaker Processing ensures the best sound for your space for monitoring up to full theatrical Dolby Atmos®.
Audio routing, recording, and monitoring for your exact needs
Customize your interface to any audio workflow
The MTRX II offers 64 DigiLink I/O channels, 256 Dante channels, and 64 MADI channels, plus eight option card slots and a Thunderbolt 3 option slot. With one interface, connect to Pro Tools | HDX with a Mac or PC, use other DAWs, route audio over IP with Dante, and add and reconfigure I/O as needed. Say goodbye to old gear and simplify your setup with a MTRX II.
Built to scale spectacular sound with Dante
Configure MTRX II with up to 1,280 Dante channels to distribute audio over IP. Easily integrate Dante-enabled devices and support multiple audio networks running on individual clocks and sample rates in one MTRX running multiple Dante cards. Get impeccable transparency with AD/DA converters that support sample rates up to 384 kHz PCM and DSD. Hear every sonic nuance of 128 dB of dynamic range with less than -120 dB harmonic distortion.
Work with Dolby Atmos®
MTRX II delivers the most comprehensive solution for immersive audio with Pro Tools Ultimate and Pro Tools | HDX. One MTRX II can achieve the 128-channel immersive audio requirement for connecting to the Dolby Atmos® Renderer, streamlining hardware, complexity and cost.
Its 512 x 64 summing mixer accommodates a full theatrical Dolby Atmos® configuration allowing you to:
Array
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[0] => Connect a multi-card HDX system or multi-workstation system to a single interface.
[1] => Route audio to the Dolby Atmos® Renderer while maintaining full HDX DSP power.
[2] => Control playback sources, stems, rendering, and monitoring outputs across multiple workstations.
)
Audio monitoring and calibration
MTRX II has a massive 512 x 64 summing mixer for full Dolby Atmos® theatrical monitoring or simple cue mixes. It includes SPQ Speaker Processing for calibration up to 9.1.6, DADman Pro | Mon control and supports Sonarworks room calibration. Calibrate speakers with up to 16 filters per channel totalling 1024 filters across 64 channels for precise room correction, with adjustable delay and filters.
Build Your Own
Pro Tools | MTRX II features 64 channels of DigiLink I/O, 256 channels of Dante, and 64 channels of MADI in the base unit to get you started, with eight option card slots to configure the audio interface with the I/O you need. It also includes built-in SPQ Speaker Processing for easy room calibration to optimize your monitoring environment.
Mix and match up to eight analog I/O cards to support up to 64 analog channels per MTRX II interface, design an all-digital box with up to eight digital I/O cards (supporting up to 576 DigiLink channels, 1,280 Dante channels, or 1,088 MADI channels when maxed out with all available cards and modules), or configure it with any combination of analog and digital I/O.
Here’s a look at all of the Pro Tools | MTRX II option cards available for you to choose and use.
ANALOG I/O CARDS (not included with Base Unit and MUST be purchased separately)
8 Line Pristine AD Card (input)
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[0] => Add eight channels of line-level analog inputs for connecting preamps, keyboards, signal processors, mixers, and other gear.
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2 Mic/Line Pristine AD Card (input)
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[0] => Add two channels of analog inputs and mic preamps with relay-based gain circuit—an ideal low-cost option for talkback and tracking.
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8 Mic/Line Pristine AD Card (input)
Array
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[0] => Add eight channels of analog inputs and mic preamps with relay-based gain circuit, providing the utmost transparency and clarity.
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8 Pristine DA Card (output)
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[0] => Add eight channels of line-level analog outputs with an output level control, delivering the utmost audio transparency and clarity.
)
DIGITAL I/O CARDS (not included with Base Unit and MUST be purchased separately)
Thunderbolt™ 3 Module
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[0] => Enables up to 256 (MTRX II) or 64 (MTRX Studio) channels of native low-latency I/O to Core Audio DAWs.
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DigiLink I/O Card
Array
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[0] => Add 64 channels of DigiLink I/O through two DigiLink Mini ports. Includes one Pro Tools | DigiLink I/O License per card
)
8 AES3 I/O Card
Array
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[0] => Add eight line AES3 inputs and outputs (16 channels), with built-in sample rate conversion.
)
Dual SDI/HD/3G Card
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[0] => Add 2 x 16 channels of SDI/HD/3G connections (embed/de-embed) with built-in sample rate conversion.
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128-Channel IP Audio Dante Card
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[0] => Add up to 128 channels of high-density, low-latency digital audio using Dante (128 channels at 44.1 kHz or 32 channels at 192 kHz) with built in sample rate conversion.
)
Dual MADI I/O Card
Array
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[0] => Add 128 channels of MADI inputs and outputs through two optical SFP ports to support audio transmission across any MADI device, with built in sample rate conversion.
)
MADI Module for Base Unit
Array
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[0] => Add an additional 64-channel I/O coaxial or optical MADI modules to the MTRX II chassis.
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requirements:
mac:
version: macOS 11.x – 26.x (with Intel or Apple silicon processors)
internet required: no
windows:
version: Windows 10, Windows 11
internet required: no
trial: no
notes:
feature: Streamline facility I/O with one interface that can control multiple rooms.
Create and save routing workflows for recall in seconds.
Sum your mix stems and subgroups with the 512 x 64 summing mixer.
Remotely control all sources, inputs, fold-downs, cue mixes, and monitoring with EUCON-enabled surfaces.
Send audio to mixing rooms and stages across your facility.
Switch between 5.1, 7.1, Dolby Atmos®, and other production formats in seconds to support multiple delivery formats.
Work with multi-DAW, multi-workstation setups to capture, route, and monitor audio.
Add Avid SyncX for perfect frame-edge picture lock.
Capture pristine-quality sound through ultra-low-noise mic preamps, high-precision clock circuitry, and low jitter.
Switch between 5.1, 7.1, Dolby Atmos®, and other production formats to preview mixes.
Route audio to the Pro Tools Ultimate. Dolby Atmos® Renderer while maintaining full use of your HDX DSP cores.
Capture and output audio without coloration with clean, transparent, and highly detailed AD/DA conversion supporting sample rates up to 384 kHz PCM and DSD.
Work with your preferred DAWs like Logic, Ableton, and Pro Tools to capture, route, and monitor audio.
Remotely control all sources, inputs, fold-downs, cue mixes, and monitoring with EUCON-enabled surfaces.
platforms: mac
windows
1178-4290
